To save her father’s lake-front restaurant, a talented interior designer must partner with the celebrity chef her father hired without her knowledge to revamp the place before time runs out.

Interior decorator Zuri Maxwell had it all – a career she adored, loving family and friends, and a good man in her life, artist Stephon Gardner. But greed threatens to destroy everything, when Zuri meets handsome benefactor and entrepreneur Godfrey Anderson and his fabulously wealthy aunt Miss Viv. They have everything Zuri thinks she wants. As Godfrey romances her, she compromises the values and morals that should guide her in an effort to be part of the moneyed world she so desperately wants to be part of.

A look at a dysfunctional family dominated by the controlling madness of its matriarch, Eve. Her reluctant husband and their three daughters make doomed efforts to cope with Eve’s demands, while also trying to get on with their own lives. But, all bets are off when an ebullient stranger enters the picture.

The true story of Elle France editor Jean-Dominique Bauby, who, in 1995 at the age of 43, suffered a stroke that paralyzed his entire body, except his left eye. Using that eye to blink out his memoir, Bauby eloquently described the aspects of his interior world, from the psychological torment of being trapped inside his body to his imagined stories from lands he’d only visited in his mind.

After receiving a distressing medical diagnosis, a listless young man flees the crushing tedium of Toronto city life, trading it all for the wilderness of the British Columbian Interior. When his whims go awry, he is reduced to petty thievery just to survive. Fearing his misdeeds will catch up with him, he retreats further and further into the woods only to gradually find himself the target of increasingly inexplicable and disturbing manifestations, which point to a frightening truth: he is not alone. Some one or some thing is pursuing him into THE INTERIOR.

Weeks before Christmas, interior designer Laura is sent to her hometown of Santa Fe, New Mexico to remodel a landmark hotel. As Laura is kept busy with the renovations, her 8-year-old daughter Nicole is introduced to the art of salsa dancing at a local dance studio. Laura is surprised to find that the studio’s owner is Ricardo, her old high school sweetheart and former salsa dance partner. When Laura and Ricardo reconnect, sparks fly on and off the dance floor. The beautiful Christmas traditions of New Mexico become the backdrop for spirited dancing and unexpected romance.

Madeline has become an integral part of a prestigious physical theater troupe. When the workshop’s ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women’s lives.

Fascinated by the human brain and its capacity for ruthlessness, psychiatrist Dr. Dorothy Otnow Lewis has spent her life investigating the interior lives of violent people. With each case, she came closer to developing a unified field theory of what makes a killer. Along the way – steering away from the conventional wisdom of her colleagues – she explored the world of multiple personality disorder.

When happy couple Jules and Josh buy their dream house on a magnificent estate, they recruit beautiful Morgan to help them with the interior design, unaware Morgan has history with the house and will stop at nothing to make it her own.

The honey-extracting tribal folks of Kadambavanam, a village in the deep interiors of dense forests, enjoy their peaceful & humble lives with the philosophical company of their forefathers. Presence of limestone underneath earns the village some interest from unethical vultures. With multiple soft evacuation plans failing against the tribal resistance, they resort to uglier ways putting the villagers’ lives into complete disarray. Can they withstand when payback time presents itself?

This film tells of the romance between a talented violinist and interior designer. The pair get married almost immediately after meeting each other, though they soon find out that a passionate romance isn’t enough to keep a marriage going.

Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.

A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.

Aspiring interior designer Layla is dreading the Christmastime wedding of her cousin who’s marrying Layla’s ex-fiancé. Although Seth is the one responsible for introducing the bride and groom, she begrudgingly accepts his offer to be her date as she’s out of options. Seth gets carried away at the reception and announces they’re engaged, forcing a mortified Layla to keep up the pretense. Stars Daniel Lissing and Jessica Lowndes.

Portland interior designer Julia Galvins (Jana Kramer) adopts a dog and seeks the help of expert and handsome dog trainer Owen Michaels (Kevin McGarry). When she is hired to design a nursery and a “puppery,” as well as plan a puppy shower fund-raiser for a pregnant client and her pregnant dog, Julia asks Owen’s advice, and their friendship just might turn into something more.

A movie about a relationship…that’s worse than yours. Seth (Stewart), a sitcom writer-producer, meets Chelsea (Wilson), an interior decorator, at his best friend’s (Bellamy) wedding. He’s immediately sexually attracted to her while she’s instantly attracted to his single-ness. They both ditch their wedding dates and start their own date that same night. The two become a couple, appearing very happy until after a couple of years of postponing a marriage proposal. When Chelsea realizes that Seth wants to remain single and together, she becomes quite bitter. In the next hour of the movie, the two engage in behavior that makes the War of the Roses look like child’s play.

“100 Years” is the David vs. Goliath story of Elouise Cobell, a petite, Native American Warrior who filed the largest class action lawsuit ever filed against the United States Government and won a $3.4 billion settlement for 300,000 Native Americans whose mineral-rich lands were mismanaged by the Department of the Interior.

Shot over a three-year period with unparalleled intimacy and access, ALL THIS PANIC is a feature length documentary that takes an intimate look at the interior lives of a group of teenage girls as they come of age in Brooklyn. A potent mix of vivid portraiture and vérité, we follow the girls as they navigate the ephemeral and fleeting transition between childhood and adulthood.

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.

Peter and Chloe, a young married couple from New York, decide on impulse to take a belated honeymoon on-board a research vessel en route to the icy wastes of Antarctica. Not long into the journey, Chloe begins to feel neglected and betrayed by Peter, who is focused on gathering information for an article he plans to publish on their return about the work of one of their fellow passengers, the whale biologist Roger Payne. After an unforgivable betrayal of trust by Peter, Chloe turns their fledgling marriage upside down by moving into her own room and staking out her independence onboard the ship. Drawing attention to the poles within each of us, the impressionistic story oscillates between the super-confined interiors of the ship and the vast open spaces of Antarctica. In the end, it’s not until Chloe and Peter are lost – perhaps literally, perhaps metaphorically – in the Antarctic ice that they discover how essential one is to the other.

Rootless Hungarian émigré Willie, his pal Eddie, and visiting sixteen-year-old cousin Eva always manage to make the least of any situation, whether aimlessly traversing the drab interiors and environs of New York City, Cleveland, or an anonymous Florida suburb.